Avantis Keys starting point

Beginner Skill level for the five steps below. Optional intermediate and advanced tips are in Going further.

Dial these in, then adjust by ear in the full mix. Ask for the player's loudest patch at soundcheck; patch volume changes are the main live problem with keys.

Avantis note: Stereo keyboards: configure the channel pair as stereo, then check Stereo Image (Preamp tab) is L/R and width 100%.

1High-pass filter

40-80 Hz

High-pass filter curve for keys on AvantisHPF12 dB/oct0-12-24-3620501002005001k2kHzdB60 Hz

Illustration in the style of the Avantis low cut / HPF, not a screenshot. Drawn at 12 dB/oct; the shaded area is what gets cut. Drawn at 60 Hz, the middle of the card's 40-80 Hz.

Higher if the keyboard player's left hand clashes with the bass; lower for solo piano.

On the Avantis: Select the channel (touch its Name Block on the touchscreen, it shades green), set Screen Mode to Processing, then the Filter tab: HPF 20 Hz-2 kHz, slope 12 or 24 dB/oct, Butterworth or Bessel type (there's also an LPF). Gain, Pad, 48V (hold 1 s), Trim (+/-24 dB) and Polarity are on the Preamp tab.

2Gate

Use
No

Not needed.

On the Avantis: Processing > Gate tab: Threshold, Depth (Avantis' name for range), Attack, Hold, Release. Side Chain lets you pick the key source and switch in an HPF/LPF key filter. The Gate Library also offers a Ducker in place of the gate.

3EQ

EQ curve for keys on AvantisPEQ20501002005001k2k5k10k20k-15-10-50+5+10+15dB / HzHPF12EQ curve for keys on AvantisPEQ20501002005001k5k20k-15-10-50+5+10+15HPF12
  • HPF 60 Hz, 12 dB/oct
  • 1 Bell 300 Hz, -2.0 dB, width 1.5 oct
  • 2 Bell 3.5 kHz, +0.5 dB, width 1.5 oct

Illustration in the style of the Avantis EQ screen, not a screenshot. Curve shows the midpoint of the suggested ranges; HPF drawn at 12 dB/oct.

FrequencyGainQ / widthWhy
200-400 Hz-1 to -3 dBWideKeys, guitars and vocals pile up here; a small cut makes room.
2-5 kHz0 to +1 dBWidePresence. Keyboards are usually already bright.

On the Avantis: Processing > PEQ tab: 4 bands, +/-15 dB each. Width is set in OCTAVES, not Q (roughly: 1.5 oct = Q 0.9, the widest; 1 oct = Q 1.4; 1/3 oct = Q 4.3). LF and HF bands switch between shelf, bell, or 12 dB/oct cut. Drag the dots on the graph, or pinch for width. PEQ runs before the compressor by default; swap per channel via Options (saved in the Show, not in Scenes).

4Compression

Compressor curve for keys on AvantisCompressor2:1-40-40-30-30-20-20-10-1000Input level (dB)Output level (dB)1:1 = no compression−1.0 dB gain reductionon a −6 dB peakThreshold -8 dBexample, set by ear

Attack ~20 ms · Release ~150 ms (timing, not shown on graph)

Illustration in the style of the Avantis compressor screen, not a screenshot. Compression is optional here (None or 2:1); the graph shows 2:1 in case you use it. The threshold is an example only: it is set so a −6 dB peak gets about 1 dB of gain reduction, the middle of the card's target. Set yours by ear while watching the gain reduction (GR) meter. Drawn hard-knee with no makeup gain. Attack and release shape timing and don't change this curve.

Ratio
None or 2:1
Attack
~20 ms
Release
~150 ms
Gain reduction
0-2 dB

Keyboard patches are usually already level-controlled.

On the Avantis: Processing > Compressor tab: Threshold, Ratio (1:1 = no compression up to Infinity = limiter; the steps in between aren't published, so read the value on screen), Gain (makeup), Soft Knee, Attack, Release, Manual RMS or Manual Peak detector, Parallel Path for dry/wet blend, and a sidechain HPF/LPF. dPack adds DEEP compressor models (Opto, 16T, 16VU, etc.).

5FX send

None

FX send level for keys on AvantisRouting · SendsChannel sends: Aux 1-13 and FX sends 1-8 (FOH template)No FX send+100−10−30−∞11312345678Aux 1-13 (monitors)FX sends 1-8

Keep dry: no FX send.

Illustration in the style of the Avantis sends view, not a screenshot. Bus numbering depends on how the venue file is patched; set the level by ear.

Patches come with their own reverb.

On the Avantis: 12 RackExtra FX slots. In the FX screen's Back Panel, set the unit to Mix->Return and pick the FX send bus. To set a channel's send: press that FX send's Mix key on its master strip (input faders become send levels), or open Routing for the channel (On/Off, Pre/Post, level). Hold Pre + touch a Name Block to toggle pre/post.

Avantis specifics

  • Avantis Solo runs the same Continuity UI, processing and 64-channel/42-bus engine as dual-screen Avantis, just with one 15.6" screen and 12 faders (Avantis has two screens and 24), so the steps above are the same on both.
  • Dyn8 (multiband dynamics + dynamic EQ) only exists if dPack is installed (paid; 16 instances, or 24 on firmware 2.0+; check Setup > Config > Add-Ons). Insert it from the channel's Processing > Inserts tab: Insert A sits after the gate, Insert B after the PEQ/Comp. Handy for de-essing vocals or taming boomy acoustic guitars, but these cards don't assume you have it.
  • Continuity UI: the strip rotaries handle gain or pan, and one button press folds the bank view to show EQ or compressor settings for every channel in the bank. Three soft rotaries take parameters you assign. Firmware 2.0 adds Smart Rotaries and PEQ, Source Expander and Dyn8 rotary options.
  • Save a finished channel to the Input Channel Library (Preamp tab, or touch the selected-channel area). It stores filters, gate, PEQ, comp, delay and name/colour (plus preamp if you choose, and sends on 2.0 firmware). You pick which parts to recall.

🎧 What to listen for

Ask for the player's loudest patch at soundcheck; patch volume changes are the main live problem with keys.

Going further (2 optional tips)

Not needed to get a good start. Try these once the basics above sound right.

  • IntermediateStereo keyboards

    One strip for both sides; check mono compatibility.

    On the Avantis: make the pair stereo (Setup > stereo input configuration), then Processing > Preamp > Stereo Image: L/R, width 100 %; try Mono to check for phase problems.

  • AdvancedSafety limiter for sudden loud sounds

    Catches a patch that is much louder than the rest.

    On the Avantis: Processing > Compressor, Ratio Infinity, fast attack, threshold just above the normal loudest level.

Common gear for Keys

  • Radial ProD2 · Stereo passive DI

Scene / preset file

Coming later: downloadable Avantis channel preset for this card.

Sources

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